亚洲电影

Asian Cinema

 

Asian Cinema is a peer-reviewed journal devoted to the advancing of Asian cinema studies throughout the world. It offers a platform for scholars, teachers and students who seek to form and promote communities of Asian cinema studies within Asia and beyond. Whether understood in the terms of traditional (celluloid) or cross-media (digital) formats, Asian cinema has wide geographical dispersion, and diverse practices and histories. It is the flagship publication of the Asian Cinema Studies Society, established in 1984. Asian Cinema has been published continuously since volume 7 (1995), serving as a key resource for Asian film researchers, teachers and students.

 

《亚洲电影》是一本同行评议期刊，致力于推动亚洲电影研究的发展。它为学者、教师和学生提供了一个自主研究的平台，从传统模式celluloid或者跨媒体的数字模式digital，亚洲电影地域分布广泛，实践和历史各不相同。本刊是创立于1984年的亚洲电影协会主办的旗舰刊物，自1995年出版以来，一直是亚洲电影研究人员，教师和学生的重要参考资源。

欢迎广大师生试用，了解期刊详情，请点击下方文章标题进行访问，跳转页面后，点击Download下载文章：

1.East-West flows: Cinematic currents between China and the United States

2.Hong Kong in the Hollywood imaginary: Deterritorialization and reterritorialization in John Woo’s A Better Tomorrow and The Killer

3.King Hu in Hollywood: Making The Battle of Ono

4.Wang was missing: Rediscovering Wayne Wang’s independence

5.Entering the cinema of attractions’ Matrix: Yuen Wo-Ping’s merging of Hollywood spectacle with kungfu choreography

6.Modernizing primordialism: Deterritorializing Chineseness and reterritorializing the sinophone in Crouching Tiger, Hidden Dragon

7.A taste of home: Emotional transnationalism and China Lion Film Distribution in the United States

8.Leukocentric Hollywood: Whitewashing, Alohagate and the dawn of Hollywood with Chinese characteristics

9.Book Review