服饰文化
Clothing Cultures
We all wear clothes. We are all therefore invested at some level in the production and consumption of clothing. This journal intends to embrace issues and themes that are both universal and personal, addressing (and dressing) us all. Increasingly, as we all become accomplished semioticians, clothing becomes the key signifier in determining social interaction and behaviour, and sartorial norms dictate socio-cultural appropriateness. Following the rise of fashion theory, on an everyday level, we all understand that our clothes say something about us, about our times, nation and system of values. Yet clothing is not fashion; clothing is a term derivative from cloth, to cover the body, whereas fashion alludes to the glamorous, the ephemeral and the avant garde. We wear clothes, but imagine fashion – an unattainable ideal.
This double-blind peer-reviewed journal also offers a forum for the discussion of textiles and their significance in the production and consumption of clothing and thus solicits papers from textile historians, designers and design professionals.
我们都在某种程度上投资于服装的生产和消费。这本期刊的从广泛的意义上讨论服装的问题和主题,解决和着装相关的所有问题。随着我们越来越多地成为熟练的符号学家,服装成为决定社会互动和行为的关键,而服装规范则决定社会文化的适宜性。随着时尚理论的兴起,在日常生活中,我们都知道我们的衣服“说”了一些关于我们自己、我们的时代、国家和价值体系的东西。然而,衣服并不是时尚,服装是“衣服”的衍生词,用来遮盖身体,而时尚却不仅于此,更多指的是迷人和前卫。我们穿着衣服,却想象着时尚,两者虽有联系,却天壤之别。本刊是双盲同行评审期刊,提供了一个讨论纺织品及其在服装生产和消费中的重要性的平台。
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Class, clothes, and co-creativity
It was just something you did: Mothers, daughters and sewing in the 1960s
Dressing down: Costume, disguise and the performance of ordinariness
Shooting street style in Indonesia: A photo essay
Phenomenal dress! A personal phenomenology of clothing
Editorial foreword FCVC Network Special Issue