绘图：研究、理论、实践
Drawing: Research, Theory, Practice
Drawing: Research, Theory, Practice promotes and disseminates drawing research with a focus on contemporary practice and its theoretical context. This journal seeks to reestablish the materiality of drawing as a medium at a time when virtual, on-line, and electronic media dominates visuality and communication. The journal represents drawing as a significant discipline in its own right and in a diversity of forms: as an experimental practice, as research, as representation or documentation, as historical or theoretical exploration, as process or as performance. It explores the drawing discipline across fine art, science and engineering, media and communication, psychology, architecture, design, science and technology, textiles, fashion, social and cultural practices.
《绘图：研究、理论、实践》促进和传播绘画研究，关注当代实践及其理论语境。在虚拟、在线和电子媒体主导视觉和交流的时代，本刊试图重新确立绘画作为一种媒介的重要性。本刊将绘画作为一门重要的学科，以其自身的权利和多种形式表现出来：作为实验实践，作为研究，作为表现或文献，作为历史或理论探索，作为过程或表现。课程探索了美术、科学与工程、媒体与传播、心理学、建筑、设计、科学与技术、纺织、时尚、社会与文化实践等绘画学科。
As a rigorously peer-reviewed publication the journal presents contributions that deal both with traditional concepts, histories and dominant conventions and those that challenge current thinking and move towards experimental methods, concepts and practices. The topics include papers as well as visual contributions and projects that present drawing as a complex process, serving to:
1. become a source and basis for drawing research and exchange of knowledge in a variety of contexts
2. be a forum for engaging multidisciplinary debates on the ways in which drawing functions in contemporary culture
3. share scholarship in teaching drawing in art and design education and in contemporary art practice
4. facilitate different perspectives and debates on drawing as a practice as is changed and modernised by technology
5. present drawing as performance, as a tool, as a place of production, as a discursive exploration, a site of conception and as cognitive process
作为一份严格的同行评议刊物，该杂志的贡献既涉及传统概念、历史和主流惯例，也涉及那些挑战当前思维的实验方法、概念和实践转变的观点。主题包括论文以及视觉贡献项目。绘图作为一个复杂的过程:
1. 成为在各种背景下进行绘画、研究和知识交流的来源和基础
2. 成为一个关于绘画在当代文化中如何发挥作用的多学科辩论的论坛
3. 在艺术与设计教育和当代艺术实践中分享绘画教学
4. 促进不同观点和辩论的绘画作为一种实践改变现代化的技术
5. 将绘画作为一种表演，作为一种工具，作为一种生产场所，作为一种论述性的探索，作为一种概念的场所，作为一种认知过程
欢迎广大师生试用，了解期刊详情，请直接点击标题进行访问：
2.Graphetics: When mark-making becomes writing
3.Drawing the city – writing the city: Analogue as linguistic form
4.The magnified glass of liberation: A review of fictional drawings
7.Drawing and the street texts of Chapeltown
8.Making/drawing with words: Form as text, text as form (un-writing and re-writing form)
9.The importance of medium specificity in writing and drawing
10.Diagramming in the margins of philosophy
