产品展示

  • 期刊列表
  • 当代绘画杂志

    时间:2021-01-11 15:44:06 来源:管理员

    当代绘画杂志

    Journal of Contemporary Painting


    The Journal of Contemporary Painting (JCP) is a discursive peer-reviewed publication concerned with the practice of contemporary painting in its broadest sense. JCP treats painting as a context for discussion, exploring its sphere of influence, rather than as a medium-specific debate and is particularly interested in research emerging from practice-based projects.


    《当代绘画杂志》(JCP)是一份论述性的同行评议刊物,关注最广泛意义上的当代绘画实践。JCP将绘画作为一种讨论的背景,探索其影响范围,而不是一种特定于媒介的辩论,本刊广泛收录基于实践目的的研究项目。


    The Journal of Contemporary Painting combines peer-reviewed scholarship, particularly that emerging from practice-based research, with new writing and visual essays by academics and practitioners. Research essays will complement reviews and interviews that are responsive to current debates in painting and related art practices. The Journal is aimed at a broad readership encompassing academics, critics, writers, artists, curators and the gallery-going public. The Journal of Contemporary Painting responds to the territory and practice of contemporary painting in its broadest sense, treating painting as a context for discussion and exploring its sphere of influence, rather than defining it as a medium specific debate.  The Journal combines a thematic approach with an open call, each issue opening up and problematising different facets of contemporary painting. As well as contributions to current debates on contemporary art, the Journal also publishes archival texts alongside current responsive articles allowing new debates to emerge, based on the premise that the contemporary cannot be understood without a self-reflexive knowledge of history.  


    《当代绘画杂志》(JCP)特别重视以实践为基础的研究,并与新的写作和视觉论文的学者和从业者深度合作。文献类型包括:研究论文,评论和访谈,积极回应了当前绘画和相关艺术实践的辩论。该杂志可广泛服务于各类读者包括学者,评论家,作家,艺术家,策展人和画廊的公众。《当代绘画杂志》从最广泛的意义上回应了当代绘画的领域和实践,将绘画作为讨论的背景,并探索其影响范围,而不是将其定义为一种特定媒介的辩论。该杂志将主题研究与公开呼吁相结合,每一期开放的问题,都反映了当代绘画的不同方面。除了为当前关于当代艺术的辩论提供贡献外,该杂志还出版了档案文本和当前回应性文章,允许新的辩论出现。


    欢迎广大师生试用,了解期刊详情,请点击下方文章标题进行访问,跳转页面后,点击Download下载文章:


    1.Introduction


    2.Editorial


    3.Extract from The World Viewed


    4.Response to Stanley Cavell’s The World Viewed


    5.Visual Essay


    6.Jackson Pollock and Piero della Francesca Ride Lonesome


    7.Touch screen


    8.All that is behind colour: Antonioni and painting (three case studies)


    9.The unscripted image


    10.Framing forces: Models of cinema expressed by films that frame painting


    11.The influence of cinema on painting


    12.A conversation between Donald Smith and Daniel Sturgis at Chelsea Space on the occasion of Almost Bliss: Notes on Derek Jarman,s Blue


    13.Reviews