短篇小说理论与实践

Short Fiction in Theory & Practice

Short Fiction in Theory and Practice provides an international forum for all those writing, reading, translating or publishing the short story, in all its diversity – including flash fiction, the novella, cycles, sequences, anthologies and single-author collections; hypertext, popular fiction (e.g. science fiction, horror), the prose poem, the non-fiction story and other hybrid genres. It looks at the short story from the practitioners viewpoint; we are concerned with the ongoing process and philosophy of composition rather than the postevent dissection of literary texts.

《短篇小说理论与实践》为所有写作、阅读、翻译或出版短篇小说的学者提供了一个国际论坛，文体涉及：短篇小说、中篇小说、循环、序列、选集和单一作者文集;超文本、流行小说(如科幻小说、恐怖小说)、散文诗、非小说故事和其他混合类型。它从从业者的角度来看待短篇故事；刊物内容更关心的是写作的持续过程和哲学，而不是对文学文本的“后事件”解剖。

欢迎广大师生试用，了解期刊详情，请点击下方文章标题进行访问，跳转页面后，点击Download下载文章：

1.Haunting in the short story

2.‘It’s like she is a hologram stuck behind my eyes’: Cybernetics and gendered spectrality in William Gibson’s Burning Chrome

3.Spectres of domesticity: Carly Holmes’s ‘Piece by Piece’ and Tessa Hadley’s ‘Bad Dreams’

4.Ghost texts in Alice Munro’s stories

5.The maternal impulse as ghost: Three hauntings in contemporary women’s fiction

6.Crouching spectres and hidden masters in ‘Black Man and White Woman in Dark Green Rowboat’ by Russell Banks

7.Haunted readings of female gothic short stories

8.Book Reviews