南亚电影与媒体研究
Studies In South Asian Film & Media
Studies in South Asian Film & Media is a double-blind peer-reviewed publication committed to looking at the media and cinemas of the Indian subcontinent in their social, political, economic, historical, and increasingly globalized and diasporic contexts. The journal will evaluate these topics in relation to class, caste, gender, race, sexuality and ideology.
《南亚电影与媒体研究》是一份双盲同行评议的出版物，致力于从印度次大陆的社会、政治、经济、历史以及日益全球化和散居背景下的媒体和电影院观察。本刊将从阶级、种姓、性别、种族、性取向和意识形态等方面对这些话题进行深度讨论。
Studies in South Asian Film & Media hopes to build a space for critical media theory and practice, engage scholars, activists and media practitioners in dialogue, clarify the relationship between culture and politics, and highlight South Asia as a vantage point from where the contemporary integration of the globe may be understood. Analytical and theoretical perspectives that are critical, interdisciplinary and global, and which combine an awareness of of aesthetics with insights from the humanities and social sciences to explain how subjectivities and publics are produced in specific historical contexts, are especially welcome.
《南亚研究电影与媒体》希望建立一个空间，将媒体理论与实践，学者、活动人士和媒体从业人员对话，阐明文化和政治之间的关系，同时强调南亚作为一个视角，在当代全球一体化背景下，是可以被理解的。批判性的、跨学科的和全球性的分析和理论视角，将美学意识与人文和社会科学的洞察结合起来，来解释主观性和大众评论是如何在特定的历史背景下产生的。
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2.Niche cinema: Negotiating cultural identities of the new Indian middle classes
4.Questions begin Where the Clouds End: Ethnic identity and the documentary /Voice/
