舞台、舞蹈实践
Choreographic Practices
Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.
《舞台、舞蹈实践》遵循的原则是，舞蹈体现思想，当被视为一种批判和创造性的话语模式时，舞蹈可以富有成效地活跃起来。这本双盲同行评议的杂志提供了一个分享编舞实践、批判性探究和辩论的平台。将重点放在过程和实践之上，本杂志试图在理论和实践、编舞和学者之间建立动态的关系，以便这些区别可以被应用和传播。编舞实践将包含广泛的方法论和批判性视角，这样，表演中的跨学科过程可以被理解为与其他艺术领域和其他领域(例如，文化研究、心理学、现象学、地理学、哲学和经济学)的交叉。通过这种方式，该期刊将深度解析舞蹈实践研究的性质和范围，并汇集不同的知识体系和认识方式，以阐明一个新兴的和充满活力的研究领域。
欢迎广大师生试用，了解期刊详情，请直接点击标题进行访问：
1.Performing ecologies in a world in crisis
2.Embodied ecology: The eco-somatics of permaculture
3.Site-specific performance and the art of not leaving
6.On the way to regenerative choreography
7.Ancestral bodies dancing snow
8.Dancing in wild places: Seaweed and ocean health
11.Go to the woods: Choreographic scores for performing in nature
